..续本文上一页ment, brain, bile, phlegm, pus, blood, sweat, fat, tears, grease, snot, spittle, sinovial fluid, and urine. The repulsiveness of the parts implies the same for the whole: the body seen closeup is truly unattractive, its beautiful appearance a mirage. But the aim of this meditation must not be misapprehended. The aim is not to produce aversion and disgust but detachment, to extinguish the fire of lust by removing its fuel.[57]

　　The other analytical contemplation deals with the body in a different way. This meditation, called the analysis into elements (dhatuvavatthana), sets out to counter our innate tendency to identify with the body by exposing the body”s essentially impersonal nature. The means it employs, as its name indicates, is the mental dissection of the body into the four primary elements, referred to by the archaic names earth, water, fire, and air, but actually signifying the four principal behavioral modes of matter: solidity, fluidity, heat, and oscillation. The solid element is seen most clearly in the body”s solid parts -- the organs, tissues, and bones; the fluid element, in the bodily fluids; the heat element, in the body”s temperature; the oscillation element, in the respiratory process. The break with the identification of the body as "I" or "my self" is effected by a widening of perspective after the elements have come into view. Having analyzed the body into the elements, one then considers that all four elements, the chief aspects of bodily existence, are essentially identical with the chief aspects of external matter, with which the body is in constant interchange. When one vividly realizes this through prolonged meditation, one ceases to identify with the body, ceases to cling to it. One sees that the body is nothing more than a particular configuration of changing material processes which support a stream of changing mental processes. There is nothing here that can be considered a truly existent self, nothing that can provide a substantial basis for the sense of personal identity.[58]

　　The last exercise in mindfulness of the body is a series of "cemetery meditations," contemplations of the body”s disintegration after death, which may be performed either imaginatively, with the aid of pictures, or through direct confrontation with a corpse. By any of these means one obtains a clear mental image of a decomposing body, then applies the process to one”s own body, considering: "This body, now so full of life, has the same nature and is subject to the same fate. It cannot escape death, cannot escape disintegration, but must eventually die and decompose." Again, the purpose of this meditation should not be misunderstood. The aim is not to indulge in a morbid fascination with death and corpses, but to sunder our egoistic clinging to existence with a contemplation sufficiently powerful to break its hold. The clinging to existence subsists through the implicit assumption of permanence. In the sight of a corpse we meet the teacher who proclaims unambiguously: "Everything formed is impermanent."

　　(2) Contemplation of Feeling (vedananupassana)

　　The next foundation of mindfulness is feeling (vedana). The word "feeling" is used here, not in the sense of emotion (a complex phenomenon best subsumed under the third and fourth foundations of mindfulness), but in the narrower sense of the affective tone or "hedonic quality" of experience. This may be of three kinds, yielding three principal types of feeling: pleasant feeling, painful feeling, and neutral feeling. The Buddha teaches that feeling is an inseparable concomitant of consciousness, since every act of knowing is colored by some affective tone. Thus feeling is present at every moment of experience; it may be strong or weak, clear or indistinct, but some feeli…

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